silly-nanners:

farahfilasteen:

Massacre of Deir Yassin April 9th, 1948

Early in the morning of April 9, 1948, commandos of the Irgun (headed by Menachem Begin) and the Stern Gang attacked Deir Yassin, a village with about 750 Palestinian residents. 
The village lay outside of the area to be assigned by the United Nations to the Jewish State; it had a peaceful reputation. But it was located on high ground in the corridor between Tel Aviv and Jerusalem. Deir Yassin was slated for occupation under Plan Dalet and the mainstream Jewish defense force, the Haganah, authorized the irregular terrorist forces of the Irgun and the Stern Gang to perform the takeover.



In all over 100 men, women, and children were systematically murdered by Israel. Fifty-three orphaned children were literally dumped along the wall of the Old City, where they were found by Miss Hind Husseini and brought behind the American Colony Hotel to her home, which was to become the 
Dar El-Tifl El-Arabi orphanage. 

Part of the struggle for self-determination by Palestinians has been to tell the truth about Palestinians as victims of Zionism. For too long their history has been denied, and this denial has only served to further oppress and deliberately dehumanize Palestinians in Israel, inside the occupied territories, and outside in their diaspora.

 

nostomaniac:


Marina Abramović, Rhythm 0, 1974

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

nostomaniac:

Marina Abramović, Rhythm 0, 1974

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

malformalady:

Escalator ruins in an abandoned mall in Bangkok, Thailand

malformalady:

Escalator ruins in an abandoned mall in Bangkok, Thailand